Sony’s Spider-Man: Homecoming remained spectacular on Tuesday with a first place take of $15.054 M. Spider-Man: Homecoming jumped a solid 23.4 percent over Monday’s performance.
Spider-Man: Homecoming has grossed $144.283 M in five days and is set to zoom past the $150 M domestic mark today. That places Spider-Man: Homecoming 40.1 percent ahead of the $103.016 M five-day start of
2014’s The Amazing Spider-Man 2 and 14.8 percent behind the $169.444 M five-day launch of 2007’s Spider-Man 3. With the aid of strong critical reviews and strong early word of mouth, Spider-Man: Homecoming
will hope to display stronger holding power than the more recent installments of the Spider-Man franchise. |
Universal’s Despicable Me 3 held steady in second place with $6.718 M. Despicable Me 3 was up a strong 53.7 percent over Monday and down 47.2 percent from last Tuesday’s inflated
Independence Day performance. The twelve-day total for Despicable Me 3 stands at $159.859 M. That is below the film’s lofty expectations and places Despicable Me 3 30.4 percent behind the $229.562 M
twelve-day gross of 2015’s Minions. At the same time, Despicable Me 3 continues to perform well with its relatively modest production budget for a high-profile computer animated film in mind. |
Sony’s Baby Driver continued to claim third with $2.288 M. Baby Driver increased 36.8 percent from Monday and decreased 48.2 percent from last Tuesday. Baby Driver passed the
$60 M domestic mark yesterday and continues to outpace expectations with a 14-day haul of $61.096 M. That places Baby Driver a very slim 2.0 percent behind the $62.357 M 14-day take of 2013’s This Is the End. |
Warner’s Wonder Woman grossed $1.640 M to remain in fourth place. Wonder Woman was up 38.5 percent over Monday and down a sharp 59.6 percent from last Tuesday’s Fourth of July take.
Wonder Woman has grossed a massive $371.298 M in 40 days and has now passed the $370.783 M lifetime gross of 2004’s The Passion of the Christ to move into 33rd place on the all-time unadjusted domestic list. |
Paramount’s Transformers: The Last Knight and Disney’s Cars 3 placed in fifth and sixth place on Tuesday with respective daily grosses of $1.050 M and $1.044 M. The two films were
separated by just $6,326 for the day. Respective total grosses stand at a softer than expected $135.245 M for Cars 3 in 26 days and at an underwhelming $120.796 M for Transformers: The Last Knight in 21 days. |
Lionsgate’s The Big Sick continued its promising platform performance with $441 K on Tuesday from 326 locations. That gave The Big Sick a healthy per-location average of $1,352 for the
day. The Big Sick increased 31.3 percent over Monday and 22.3 percent over last Tuesday. The 19-day platform total for The Big Sick stands at $7.624 M. The Big Sick will expand into wide release on Friday. |
Film (Distributor) | Daily Gross |
Theatre Count |
Per-Thea. Average |
%Change Yesterday |
%Change Last Tue. |
Total Gross |
TG to OW Ratio |
Week | |
1 | Spider-Man: Homecoming (Sony / Columbia) |
$15,053,665 | 4,348 | $3,462 | +23.4% | N/A | $144,282,551 | 1.233 | 1 |
2 | Despicable Me 3 (Universal) |
$6,717,600 | 4,535 | $1,481 | +53.7% | -47.2% | $159,859,230 | 2.207 | 2 |
3 | Baby Driver (Sony / TriStar) |
$2,287,647 | 3,226 | $709 | +36.8% | -48.2% | $61,095,880 | 2.973 | 2 |
4 | Wonder Woman (Warner Bros.) |
$1,640,127 | 3,091 | $531 | +38.5% | -59.6% | $371,297,661 | 3.596 | 6 |
5 | Transformers: The Last Knight (Paramount) |
$1,050,219 | 3,241 | $324 | +39.5% | -69.9% | $120,796,372 | 2.704 | 3 |
6 | Cars 3 (Disney) |
$1,043,893 | 2,702 | $386 | +44.6% | -49.7% | $135,245,463 | 2.519 | 4 |
7 | The House (Warner / New Line) |
$922,142 | 3,134 | $294 | +44.0% | -39.0% | $20,156,469 | 2.310 | 2 |
8 | 47 Meters Down (Entertainment Studios Motion Pictures) |
$514,185 | 1,741 | $295 | +21.7% | -41.3% | $39,345,639 | 3.511 | 4 |
9 | The Big Sick (Lionsgate / Amazon) |
$440,867 | 326 | $1,352 | +31.3% | +22.3% | $7,623,504 | 2.131 | 3 |
10 | The Beguiled (Focus) |
$329,120 | 941 | $350 | +38.8% | -45.2% | $7,978,279 | 2.522 | 3 |
11 | Pirates of the Caribbean: Dead Men Tell No Tales (Disney) |
$240,274 | 1,039 | $231 | +35.9% | +64.1% | $169,229,490 | 2.687 | 7 |
12 | The Mummy (Universal) |
$206,020 | 1,045 | $197 | +21.1% | -70.2% | $78,372,355 | 2.473 | 5 |
13 | Guardians of the Galaxy Vol. 2 (Disney) |
$153,876 | 660 | $233 | +24.8% | -63.9% | $385,837,234 | 2.634 | 10 |
14 | All Eyez on Me (Lionsgate / Summit) |
$86,943 | 599 | $145 | +11.1% | -71.8% | $44,481,620 | 1.683 | 4 |
15 | Captain Underpants: The First Epic Movie (Fox / DWorks Anim.) |
$79,917 | 407 | $196 | +28.1% | -68.6% | $70,677,949 | 2.963 | 6 |
16 | Beatriz At Dinner (Roadside) |
$70,359 | 417 | $169 | +25.4% | -73.4% | $6,107,923 | 3.361 | 5 |
17 | The Boss Baby (Fox / DWorks Anim.) |
$40,837 | 195 | $209 | +27.8% | -5.9% | $173,985,865 | 3.466 | 15 |
18 | Baywatch (Paramount) |
$31,786 | 193 | $165 | +14.1% | -17.7% | $57,663,158 | 3.116 | 7 |
19 | The Book of Henry (Focus) |
$21,783 | 154 | $141 | +26.1% | -75.7% | $4,258,599 | 2.989 | 4 |
20 | Everything, Everything (Warner Bros.) |
$20,014 | 141 | $142 | +16.0% | +134.3% | $33,889,684 | 2.890 | 8 |
21 | The Fate of the Furious (Universal) |
$17,940 | 115 | $156 | +29.0% | -45.5% | $225,729,250 | 2.285 | 13 |
22 | Alien: Covenant (Fox) |
$15,169 | 132 | $115 | +8.3% | -44.0% | $73,872,082 | 2.043 | 8 |
23 | King Arthur: Legend of the Sword (Warner Bros.) |
$13,631 | 155 | $88 | +21.6% | -50.4% | $39,061,892 | 2.541 | 9 |
24 | Beauty and the Beast (Disney) |
$12,454 | 110 | $113 | +65.0% | -29.2% | $503,994,888 | 2.884 | 17 |
25 | It Comes At Night (A24) |
$11,265 | 90 | $125 | +4.0% | -57.5% | $13,730,977 | 2.293 | 5 |
26 | Diary of a Wimpy Kid: The Long Haul (Fox) |
$10,427 | 91 | $115 | +30.1% | -22.9% | $20,595,009 | 2.890 | 8 |
27 | A Ghost Story (A24) |
$10,401 | 4 | $2,600 | -3.4% | N/A | $125,199 | 1.203 | 1 |
28 | The Exception (A24) |
$6,562 | 48 | $137 | +2.0% | -74.6% | $526,857 | 4.113 | 6 |
29 | Gifted (Fox Searchlight) |
$5,958 | 43 | $139 | +91.1% | -40.3% | $24,671,068 | 7.983 | 14 |
30 | Snatched (Fox) |
$4,618 | 64 | $72 | +32.7% | -62.8% | $45,803,711 | 2.344 | 9 |
31 | Going in Style (Warner / New Line) |
$4,223 | 53 | $80 | +22.1% | -64.0% | $45,011,146 | 3.772 | 14 |
32 | My Cousin Rachel (Fox Searchlight) |
$4,122 | 37 | $111 | +41.5% | -71.2% | $2,657,316 | 2.740 | 5 |
33 | Love, Kennedy (Purdie Distribution) |
$2,225 | 6 | $371 | +52.7% | -54.4% | $248,047 | 5.477 | 6 |
34 | The B-Side (NEON) |
$1,797 | 8 | $225 | -5.1% | -45.3% | $43,583 | 3.526 | 2 |
35 | The Bad Batch (NEON) |
$1,450 | 25 | $58 | +28.0% | -60.0% | $172,326 | 1.934 | 3 |
36 | The Wedding Plan (Roadside) |
$686 | 12 | $57 | -48.6% | -82.5% | $1,393,108 | 4.518 | 9 |
37 | The Lovers (A24) |
$630 | 6 | $105 | +12.9% | -51.9% | $2,191,898 | 3.394 | 10 |
38 | Le Trou (2017 re-issue) (Rialto Pictures) |
$372 | 1 | $372 | -15.8% | -83.7% | $17,910 | 2.651 | 2 |
39 | Il Boom (2017 re-issue) (Rialto Pictures) |
$294 | 1 | $294 | -11.4% | -74.6% | $35,182 | 4.309 | 4 |
40 | Colossal (NEON) |
$208 | 2 | $104 | N/A | N/A | $3,028,975 | 5.183 | 14 |
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