Daily Box Office Report
Wednesday, November 20, 2019
By Daniel Garris
Become a Patron!
| Disney and Fox’s Ford v Ferrari grossed $2.409 million on Wednesday to lead the daily box office for a sixth consecutive day. Ford v Ferrari was down a solid 35.3 percent from Tuesday’s
performance. The six-day start for Ford v Ferrari stands at a strong $39.966 million. Ford v Ferrari is running 15.5 percent ahead of the $34.590 million six-day haul of 2017’s Baby Driver
(which opened on a Wednesday). With the aid of strong word of mouth (Ford v Ferrari received a perfect A+ rating from audiences on CinemaScore); BoxOfficeReport is predicting a second weekend take of $17.5 million for
Ford v Ferrari. |
| Lionsgate’s Midway held steady in second place with $798,086. That was down 34.0 percent from Tuesday and down a sizable 46.3 percent from last Wednesday. Midway has grossed $37.692 million through
thirteen days. That is ahead of expectations, but is also relatively modest with the film’s price-tag in mind. BoxOfficeReport is predicting that Midway will gross $3.8 million in its third weekend. |
| Warner and New Line’s The Good Liar took in $619,232 to remain in third. The Good Liar was down 39.0 percent from Tuesday’s take. The Good Liar has grossed $7.826 million in six days, which
is in line with the film’s modest expectations. BoxOfficeReport is predicting that The Good Liar will gross $3.1 million in its second weekend. |
| Universal’s Last Christmas was up one spot from Tuesday to move into fourth on Wednesday with $559,550. That was down 39.2 percent from Tuesday and down just 30.7 percent from last Wednesday.
Last Christmas is running a bit below expectations with a respectable thirteen-day take of $24.316 million. BoxOfficeReport is predicting a third weekend take of $3.0 million for Last Christmas. |
| Sony’s Charlie’s Angels was down one place from Tuesday to round out Wednesday’s top five with $501,320. Charlie’s Angels declined a very sharp 47.3 percent from Tuesday. The six-day take for
Charlie’s Angels stands at just $10.338 million, which is below the film’s already modest expectations. BoxOfficeReport is predicting that Charlie’s Angels will gross $3.9 million in its second weekend. |
|
|
Daily domestic box office results for Wednesday, November 20, 2019.
| Rank | Film (Distributor) | Daily Gross | Locations | Location Average |
%Change Yesterday |
%Change Last Week |
Total Gross | TG ÷ OW | Week |
| 1 | Ford v Ferrari (Disney / Fox) | $2,409,124 | 3,528 | $683 | -35.3% | N/A | $39,965,617 | 1.270 | 1 |
| 2 | Midway (Lionsgate) | $798,086 | 3,242 | $246 | -34.0% | -46.3% | $37,692,237 | 2.106 | 2 |
| 3 | The Good Liar (Warner / New Line) | $619,232 | 2,439 | $254 | -39.0% | N/A | $7,825,616 | 1.396 | 1 |
| 4 | Last Christmas (Universal) | $559,550 | 3,454 | $162 | -39.2% | -30.7% | $24,315,830 | 2.125 | 2 |
| 5 | Charlie's Angels (Sony / Columbia) | $501,320 | 3,452 | $145 | -47.3% | N/A | $10,338,169 | 1.238 | 1 |
| 6 | Doctor Sleep (Warner Bros.) | $484,723 | 3,855 | $126 | -35.4% | -44.7% | $26,581,761 | 1.883 | 2 |
| 7 | Harriet (Focus) | $453,700 | 2,011 | $226 | -37.4% | -24.8% | $33,274,010 | 2.850 | 3 |
| 8 | Joker (Warner Bros.) | $443,301 | 2,337 | $190 | -27.3% | -29.2% | $323,782,942 | 3.366 | 7 |
| 9 | Playing with Fire (Paramount) | $361,138 | 3,185 | $113 | -49.6% | -23.5% | $26,687,217 | 2.097 | 2 |
| 10 | Terminator: Dark Fate (Paramount) | $352,433 | 2,477 | $142 | -37.5% | -51.7% | $58,090,247 | 2.001 | 3 |
| 11 | Maleficent: Mistress of Evil (Disney) | $278,741 | 2,549 | $109 | -42.1% | -29.2% | $106,725,080 | 2.888 | 5 |
| 12 | Jojo Rabbit (Disney / Fox Searchlight) | $249,199 | 995 | $250 | -26.0% | -17.4% | $14,354,954 | 3.632 | 5 |
| 13 | Zombieland: Double Tap (Sony / Columbia) | $170,362 | 1,407 | $121 | -30.5% | -49.1% | $70,896,298 | 2.645 | 5 |
| 14 | The Addams Family (United Artists Releasing / MGM) | $80,394 | 1,835 | $44 | -34.9% | -48.4% | $94,978,237 | 3.135 | 6 |
| 15 | Black and Blue (Sony / Screen Gems) | $75,661 | 558 | $136 | -39.5% | -45.1% | $21,029,576 | 2.510 | 4 |
| 16 | Countdown (STXfilms) | $65,153 | 946 | $69 | -38.9% | -49.9% | $24,565,798 | 2.771 | 4 |
| 17 | Motherless Brooklyn (Warner Bros.) | $57,144 | 611 | $94 | -26.0% | -72.2% | $9,000,134 | 2.571 | 3 |
| 18 | The Lighthouse (A24) | $54,244 | 290 | $187 | -11.1% | -50.1% | $9,948,639 | 3.283 | 5 |
| 19 | Downton Abbey (Focus) | $40,560 | 303 | $134 | +0.6% | -40.7% | $96,394,910 | 3.106 | 9 |
| 20 | Abominable (Universal / DWA / Pearl) | $15,500 | 299 | $52 | -22.5% | -31.2% | $59,785,705 | 2.901 | 8 |
| 21 | No Safe Spaces (Atlas Distribution) | $14,027 | 55 | $255 | -5.7% | +75.5% | $402,407 | 3.430 | 4 |
| 22 | Gemini Man (Paramount) | $11,042 | 176 | $63 | -24.6% | -64.1% | $48,346,212 | 2.352 | 6 |
| 23 | Waves (A24) | $9,903 | 4 | $2,476 | +5.8% | N/A | $160,450 | 1.194 | 1 |
| 24 | Hustlers (STXfilms) | $9,022 | 118 | $76 | -22.8% | -33.3% | $104,828,014 | 3.159 | 10 |
| 25 | Arctic Dogs (Entertainment Studios) | $8,209 | 356 | $23 | +2.9% | -82.0% | $5,524,552 | 1.904 | 3 |
| 26 | The Current War: Director's Cut (101 Studios) | $7,054 | 143 | $49 | -19.7% | -67.4% | $5,899,933 | 2.240 | 4 |
| 27 | Rambo: Last Blood (Lionsgate) | $5,900 | 84 | $70 | -3.5% | +59.0% | $44,814,327 | 2.375 | 9 |
| 28 | IT Chapter Two (Warner / New Line) | $4,702 | 132 | $36 | -8.3% | +22.9% | $211,500,434 | 2.323 | 11 |
| 29 | Ad Astra (Disney / Fox) | $4,571 | 78 | $59 | -11.7% | -80.7% | $50,107,174 | 2.637 | 9 |
| 30 | The Lion King (Disney) | $3,447 | 116 | $30 | +1.5% | -30.2% | $543,564,535 | 2.834 | 18 |
| 31 | Housefull 4 (Disney / Fox Star) | $2,130 | 25 | $85 | -46.0% | -76.4% | $2,107,459 | 2.329 | 4 |
| 32 | Toy Story 4 (Disney) | $1,641 | 70 | $23 | -3.0% | -39.6% | $433,991,792 | 3.589 | 22 |
| 33 | Western Stars (Warner Bros.) | $1,616 | 144 | $11 | +25.2% | -67.7% | $1,576,461 | 2.814 | 4 |
| 34 | Immortal Hero (Freestyle Releasing) | $90 | 5 | $18 | +34.3% | N/A | $40,883 | 1.982 | 5 |
Box office grosses can be reported to BoxOfficeReport via email at: daniel@boxofficereport.com
Previous Daily Box Office Reports can be found here.
Follow BoxOfficeReport on Twitter |
Find BoxOfficeReport on Facebook |