It was an extremely close race for first place on Monday between STXfilms’ Den of Thieves and Warner’s 12 Strong. Den of Thieves edged out 12 Strong by a very slim $806 with a
daily take of $1.305 M. Den of Thieves was down 62.9 percent from Sunday’s performance. Daily grosses in general on Monday received a boost from Sunday’s grosses being deflated by competition from the NFL Conference
Championship Games. Den of Thieves has grossed a stronger than expected $16.511 M through four days. That places the film 16.5 percent ahead of the $14.177 M four-day start of last year’s The Foreigner. |
12 Strong placed in an extremely close second place with $1.304 M. 12 Strong declined 60.5 percent from Sunday, which represented one of the day’s stronger daily percentage holds among wide
releases. The four-day total for 12 Strong stands at $17.119 M. That is towards the higher end of pre-release expectations and places 12 Strong 11.0 percent behind the $19.226 M four-day launch of 2016’s
13 Hours. |
Sony’s Jumanji: Welcome to the Jungle followed closely behind in third with $1.206 M. That represented a 76.7 percent decrease from Sunday and a very sharp 83.0 percent decrease from last
Monday’s inflated Martin Luther King Jr. Day performance. Jumanji: Welcome to the Jungle has grossed a massive $317.656 M through 34 days of release, which gives the film a current total gross to opening weekend ratio
of 8.78 to 1. |
Fox and DreamWorks’ The Post claimed fourth place with $1.005 M. The Post was down 61.6 percent from Sunday’s deflated take and down 72.8 percent from last Monday’s inflated take.
The Post has grossed $45.764 M through eleven days of wide release and an additional three weeks of platform release. The Post is highly likely to display strong holding power going forward thanks in part to
receiving an Academy Award nomination for Best Picture earlier today. |
Fellow Fox release The Greatest Showman rounded out Monday’s top five with $848K. The Greatest Showman declined 68.4 percent from Sunday and 77.1 percent from last Monday.
The Greatest Showman continues to steadily pad its status as one of 2017’s bigger surprises with a 34-day take of $113.973 M. That gives The Greatest Showman an exceptional current total gross to opening weekend
ratio of 12.94 to 1. |
|
Film (Distributor) | Daily Gross |
Theatre Count |
Per-Thea. Average |
%Change Yesterday |
%Change Last Mon. |
Total Gross |
TG to OW Ratio |
Week | |
1 | Den of Thieves (STXfilms) |
$1,304,937 | 2,432 | $537 | -62.9% | N/A | $16,511,045 | 1.086 | 1 |
2 | 12 Strong (Warner Bros.) |
$1,304,131 | 3,002 | $434 | -60.5% | N/A | $17,119,156 | 1.082 | 1 |
3 | Jumanji: Welcome to the Jungle (Sony / Columbia) |
$1,205,916 | 3,704 | $326 | -76.7% | -83.0% | $317,656,234 | 8.782 | 5 |
4 | The Post (Fox / DreamWorks) |
$1,005,254 | 2,851 | $353 | -61.6% | -72.8% | $45,763,616 | 2.364 | 5 |
5 | The Greatest Showman (Fox) |
$847,839 | 2,823 | $300 | -68.4% | -77.1% | $113,973,270 | 12.943 | 5 |
6 | Star Wars: The Last Jedi (Disney) |
$539,120 | 2,456 | $220 | -69.4% | -80.6% | $604,813,031 | 2.749 | 6 |
7 | The Commuter (Lionsgate) |
$533,094 | 2,892 | $184 | -64.3% | -74.5% | $26,160,465 | 1.909 | 2 |
8 | Insidious: The Last Key (Universal) |
$380,960 | 2,546 | $150 | -71.0% | -80.3% | $59,039,280 | 1.996 | 3 |
9 | Paddington 2 (Warner Bros.) |
$374,768 | 3,702 | $101 | -83.8% | -90.6% | $25,185,130 | 2.289 | 2 |
10 | Phantom Thread (Focus) |
$326,150 | 896 | $364 | -60.6% | +34.0% | $6,385,599 | 1.967 | 4 |
11 | Darkest Hour (Focus) |
$292,970 | 1,341 | $218 | -51.0% | -69.3% | $41,085,957 | 10.557 | 9 |
12 | I, Tonya (NEON / 30West) |
$273,317 | 799 | $342 | -62.1% | -61.3% | $14,783,202 | 4.396 | 7 |
13 | Proud Mary (Sony / Screen Gems) |
$270,289 | 2,125 | $127 | -65.7% | -84.5% | $17,120,889 | 1.719 | 2 |
14 | Three Billboards Outside Ebbing, Missouri (Fox Searchlight) |
$260,097 | 954 | $273 | -44.7% | -53.3% | $32,254,616 | 7.326 | 11 |
15 | The Shape of Water (Fox Searchlight) |
$245,846 | 853 | $288 | -59.0% | -60.1% | $30,441,204 | 10.145 | 8 |
16 | Pitch Perfect 3 (Universal) |
$184,180 | 1,772 | $104 | -73.7% | -86.2% | $100,719,410 | 5.054 | 5 |
17 | Molly's Game (STXfilms) |
$161,156 | 1,091 | $148 | -55.4% | -78.4% | $24,441,842 | 3.565 | 4 |
18 | Coco (Disney) |
$128,460 | 878 | $146 | -80.4% | -90.0% | $200,855,432 | 3.954 | 9 |
19 | Lady Bird (A24) |
$114,324 | 675 | $169 | -62.8% | -70.6% | $39,167,960 | 9.653 | 12 |
20 | Ferdinand (Fox) |
$84,194 | 1,212 | $69 | -85.0% | -93.7% | $79,256,570 | 5.914 | 6 |
21 | Hostiles (Entertainment Studios Motion Pictures) |
$64,876 | 119 | $545 | -53.4% | -2.6% | $1,625,439 | 2.801 | 5 |
22 | Wonder (Lionsgate) |
$44,320 | 496 | $89 | -66.1% | -89.4% | $129,935,845 | 4.717 | 10 |
23 | All the Money in the World (Sony / TriStar) |
$39,314 | 374 | $105 | -56.6% | -84.9% | $24,146,293 | 4.324 | 4 |
24 | The Disaster Artist (A24 / New Line) |
$21,903 | 147 | $149 | -48.2% | -75.2% | $20,747,937 | 3.259 | 9 |
25 | Thor: Ragnarok (Disney) |
$18,704 | 184 | $102 | -66.5% | -79.2% | $313,451,751 | 2.554 | 12 |
26 | Murder on the Orient Express (Fox) |
$18,087 | 202 | $90 | -57.3% | -65.3% | $102,321,408 | 3.568 | 11 |
27 | Daddy's Home 2 (Paramount) |
$12,793 | 183 | $70 | -78.0% | -67.9% | $103,556,248 | 3.492 | 11 |
28 | Justice League (Warner Bros.) |
$9,903 | 151 | $66 | -69.1% | -83.8% | $227,712,082 | 2.427 | 10 |
29 | The Florida Project (A24) |
$7,119 | 37 | $192 | -42.7% | -31.0% | $5,578,810 | 8.803 | 16 |
30 | Downsizing (Paramount) |
$7,088 | 134 | $53 | -60.0% | -87.0% | $24,321,434 | 4.909 | 5 |
31 | Condorito: La Pelicula (Lionsgate / Pantelion) |
$4,240 | 134 | $32 | -86.6% | -89.3% | $404,700 | 1.629 | 2 |
32 | Blade Runner 2049 (Warner Bros.) |
$4,012 | 124 | $32 | -63.1% | -70.0% | $92,005,220 | 2.809 | 16 |
33 | Father Figures (Warner Bros.) |
$1,984 | 96 | $21 | -76.4% | -85.6% | $17,390,334 | 5.290 | 5 |
34 | Parchi (Atlas Distribution) |
$819 | 7 | $117 | -82.8% | -77.9% | $60,406 | 1.754 | 2 |
35 | Same Kind of Different As Me (Pure Flix) |
$164 | 9 | $18 | -68.6% | -77.5% | $6,421,798 | 2.478 | 14 |
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