Star Wars: The Last Jedi grossed $27.46 M on Christmas Day to lead the daily box office for an eleventh consecutive day. Star Wars: The Last Jedi increased 55.8 percent over Sunday and a
healthy 27.4 percent over last Monday. Star Wars: The Last Jedi claimed the second largest Christmas Day gross of all-time (behind only 2015’s Star Wars: The Force Awakens and ahead of last year’s Rogue One: A Star Wars Story). The Christmas Day gross for
Star Wars: The Last Jedi was 6.2 percent ahead of the $25.87 M Christmas Day gross of Rogue One and 44.3 percent behind the $49.33 M Christmas Day gross of The Force Awakens. For the four-day frame,
Star Wars: The Last Jedi took in $99.03 M, which was down a sharp 55.0 percent from last weekend’s massive opening weekend performance. |
Star Wars: The Last Jedi has grossed $395.63 M in eleven days and is obviously set to zoom past the $400 M domestic mark today. The film is running 24.4 percent ahead of the $318.12 M eleven-day
haul of Rogue One and 30.8 percent behind the $571.42 M eleven-day take of The Force Awakens. Internationally, Star Wars: The Last Jedi took in an estimated $14.8 M on Christmas Day.
Star Wars: The Last Jedi has grossed $396.0 M to date internationally and $791.6 M to date globally. |
Sony’s Jumanji: Welcome to the Jungle continued to build momentum on Christmas Day with an estimated second place take of $19.00 M. That represented a terrific 109.7 percent jump over Sunday and
the seventh largest Christmas Day gross of all-time. Jumanji: Welcome to the Jungle saw its projections increase as the weekend went on and ultimately took in an estimated $55.40 M for the four-day holiday weekend.
Jumanji: Welcome to the Jungle has grossed a stronger than expected $72.00 M to date. That places Jumanji: Welcome to the Jungle 6.4 percent ahead of the $67.66 M six-day start of 2006’s Night at the Museum
(which opened on a Friday) and only 4.7 percent behind the $75.54 M six-day launch of last year’s Sing. Jumanji: Welcome to the Jungle looks set to hold up extremely well going forward, especially given the
film’s initial back-loading over its first six days of release. |
Universal’s Pitch Perfect 3 placed in third with $6.50 M. Pitch Perfect 3 jumped 146.7 percent over Sunday’s especially deflated Christmas Eve performance. Pitch Perfect 3 took in
$26.42 M in its first four days of release, which is on the very low end of scaled back expectations. The film is running 57.8 percent ahead of the $16.74 M grossed by 2012’s Pitch Perfect during its first four days of
wide release and a lackluster 64.5 percent behind the $74.43 M four-day start of 2015’s Pitch Perfect 2. Potential for Pitch Perfect 3 appears to have been limited by poor critical reviews and by competition from
The Greatest Showman, Jumanji: Welcome to the Jungle and Star Wars: The Last Jedi. |
Fox’s The Greatest Showman proved to be a strong Christmas Day choice, as the film increased an exceptional 161.8 percent over Sunday to take in $5.60 M on Monday. The Greatest Showman took
in $14.41 M over the four-day weekend and has grossed $19.01 M in its first six days. Thanks in part to the film’s strong Christmas Day performance, The Greatest Showman performed towards the lower end of
expectations for the six-day frame. The Greatest Showman is running 36.0 percent behind the $29.72 M six-day launch of last year’s Passengers. |
Places fifth through eighth were bunched closely together on Monday, as fifth place and eighth place were separated by just $205 K for the day. |
Disney’s Coco led the bunch with a fifth place take of $2.805 M. Coco was up 112.6 percent over Sunday and up a very strong 138.8 percent over last Monday. For the four-day weekend, Coco
took in $8.19 M. The 34-day total for Coco stands at an impressive $164.31 M. |
Fellow computer animated film Ferdinand followed in sixth with $2.802 M. Fox’s Ferdinand increased 83.7 percent over Sunday and a strong 132.2 percent over last Monday. For the four-day
frame, Ferdinand totaled $10.12 M. Ferdinand has grossed a modest $29.60 M in eleven days, but should continue to hold up well going forward. |
Paramount’s Downsizing placed in seventh with $2.72 M. That represented a 135.0 percent increase over Sunday. Downsizing debuted with $7.67 M in its first four days, which was below the
already modest expectations for the film. |
Sony’s All the Money in the World began its run with an estimated eighth place take of $2.60 M for the day. That was 48.0 percent below the $5.00 M Christmas opening day gross of 2014’s The Gambler. |
Also opening on Christmas Day were STXfilms’ Molly’s Game and Focus’ Phantom Thread. Molly’s Game grossed a promising $1.04 M from 271 locations, for a daily per-location average of
$3,845. Phantom Thread took in $127 K from just 4 locations in New York and Los Angeles for a massive per-location average of $31,818 for the day. Molly’s Game will expand into wide release on January 5, while
Phantom Thread will expand into nationwide release on January 19. |
|
Film (Distributor) | Daily Gross |
Theatre Count |
Per-Thea. Average |
%Change Yesterday |
%Change Last Mon. |
Total Gross |
TG to OW Ratio |
Week | |
1 | Star Wars: The Last Jedi (Disney) |
$27,459,557 | 4,232 | $6,489 | +55.8% | +27.4% | $395,627,411 | 1.798 | 2 |
2 | Jumanji: Welcome to the Jungle (Sony / Columbia) |
$19,000,000 | 3,765 | $5,046 | +109.7% | N/A | $72,000,000 | 1.978 | 1 |
3 | Pitch Perfect 3 (Universal) |
$6,496,365 | 3,447 | $1,885 | +146.7% | N/A | $26,424,890 | 1.326 | 1 |
4 | The Greatest Showman (Fox) |
$5,604,273 | 3,006 | $1,864 | +161.8% | N/A | $19,008,847 | 2.159 | 1 |
5 | Coco (Disney) |
$2,805,466 | 2,111 | $1,329 | +112.6% | +138.8% | $164,307,743 | 3.234 | 5 |
6 | Ferdinand (Fox) |
$2,801,780 | 3,630 | $772 | +83.7% | +132.2% | $29,601,410 | 2.209 | 2 |
7 | Downsizing (Paramount) |
$2,715,843 | 2,668 | $1,018 | +135.0% | N/A | $7,670,130 | 1.548 | 1 |
8 | All the Money in the World (Sony / TriStar) |
$2,600,000 | 2,068 | $1,257 | N/A | N/A | $2,600,000 | N/A | 0 |
9 | Father Figures (Warner Bros.) |
$2,200,000 | 2,902 | $758 | +201.4% | N/A | $5,480,000 | 1.671 | 1 |
10 | Darkest Hour (Focus) |
$1,622,510 | 806 | $2,013 | +73.0% | +1,295.1% | $8,367,532 | 2.150 | 5 |
11 | The Shape of Water (Fox Searchlight) |
$1,419,891 | 730 | $1,945 | +95.4% | +474.3% | $8,986,046 | 2.995 | 4 |
12 | Molly's Game (STXfilms) |
$1,042,075 | 271 | $3,845 | N/A | N/A | $1,042,075 | N/A | 0 |
13 | Wonder (Lionsgate) |
$710,214 | 816 | $870 | +76.6% | -17.9% | $115,654,826 | 4.198 | 6 |
14 | Daddy's Home 2 (Paramount) |
$544,612 | 1,073 | $508 | +149.5% | +19.8% | $99,751,582 | 3.364 | 7 |
15 | Justice League (Warner Bros.) |
$450,000 | 1,101 | $409 | +83.7% | -13.7% | $223,133,000 | 2.378 | 6 |
16 | Lady Bird (A24) |
$415,989 | 372 | $1,118 | +60.4% | +26.7% | $28,715,314 | 7.077 | 8 |
17 | Thor: Ragnarok (Disney) |
$329,457 | 701 | $470 | +64.3% | -25.3% | $309,454,093 | 2.521 | 8 |
18 | The Disaster Artist (A24 / New Line) |
$325,057 | 488 | $666 | +77.2% | -29.6% | $16,020,034 | 2.516 | 4 |
19 | The Star (Sony / AFFIRM) |
$250,000 | 1,106 | $226 | -12.6% | -26.7% | $38,641,925 | 3.938 | 6 |
20 | The Post (Fox / DreamWorks) |
$236,046 | 9 | $26,227 | +35.2% | N/A | $762,057 | 1.449 | 1 |
21 | Call Me By Your Name (Sony Pictures Classics) |
$229,888 | 114 | $2,017 | N/A | N/A | $3,262,454 | 4.380 | 5 |
22 | I, Tonya (NEON / 30West) |
$210,755 | 37 | $5,696 | +108.8% | N/A | $1,277,167 | 3.090 | 3 |
23 | Three Billboards Outside Ebbing, Missouri (Fox Searchlight) |
$207,975 | 264 | $788 | +42.5% | -6.5% | $22,949,085 | 5.212 | 7 |
24 | Murder on the Orient Express (Fox) |
$203,411 | 361 | $563 | +58.3% | -49.3% | $99,444,878 | 3.467 | 7 |
25 | Phantom Thread (Focus) |
$127,272 | 4 | $31,818 | N/A | N/A | $127,272 | N/A | 0 |
26 | Youth (China Lion Film) |
$116,922 | 34 | $3,439 | N/A | N/A | $1,157,273 | 3.418 | 2 |
27 | A Bad Moms Christmas (STXfilms) |
$60,302 | 275 | $219 | +121.9% | -68.0% | $71,571,546 | 4.271 | 8 |
28 | Hostiles (Entertainment Studios Motion Pictures) |
$9,606 | 3 | $3,202 | +64.5% | N/A | $32,456 | 1.420 | 1 |
29 | The Florida Project (A24) |
$9,430 | 43 | $219 | +45.9% | +33.4% | $5,204,890 | 8.213 | 12 |
30 | Happy End (Sony Pictures Classics) |
$7,131 | 3 | $2,377 | N/A | N/A | $30,222 | 1.309 | 1 |
31 | Same Kind of Different As Me (Pure Flix) |
$3,069 | 45 | $68 | +135.2% | +1,760.0% | $6,370,123 | 2.458 | 10 |
32 | Victoria & Abdul (Focus) |
$2,840 | 24 | $118 | +114.3% | -13.8% | $22,205,730 | 5.323 | 14 |
33 | Marshall (Open Road) |
$1,937 | 58 | $33 | +82.9% | -29.3% | $9,450,507 | 3.149 | 11 |
34 | The Breadwinner (GKIDS) |
$792 | 10 | $79 | +26.5% | -83.6% | $204,601 | 5.232 | 6 |
35 | My Friend Dahmer (FilmRise) |
$784 | 3 | $261 | N/A | N/A | $1,290,484 | 6.863 | 8 |
36 | Let There Be Light (Atlas Distribution) |
$736 | 8 | $92 | +1.1% | -47.7% | $7,203,504 | 4.165 | 9 |
37 | The Killing of a Sacred Deer (A24) |
$602 | 8 | $75 | +3.4% | -84.0% | $2,289,085 | 4.967 | 10 |
38 | Birdboy: The Forgotten Children (GKIDS) |
$117 | 1 | $117 | -25.0% | -91.6% | $12,620 | 2.158 | 2 |
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